Lighting Consultant: Consullux Lighting ConsultantsĮlevator Consultant: Persohn/Hahn Associates Inc. Land Surveying:H ugo Reed and Associates Inc.
Mechanical And Electrical Engineers: Crossey Engineering Ltd, Parkhill Structural Engineers: Entuitive, MWM Architects Inc., Parkhill Faulk, AIA Stephen Drewell, AIA Amber Richardson, NCIDQ, CKBD Erick Davila Parkhill Design Team: Mike Moss, AIA Richard Minckler, AIA Kelly Knowles Britni Wilkens, IIDA, LEED AP Faulk, Stephen Drewell, Amber Richardson, Erick Davila Diamond, Matthew Lella, Mike Lukasik, Cynthia Carbonneau, Mehdi Ghiyaei, Peter Kirby, Sarah Elliott, Jose Trinidad, Russell Wooten, Daniel Kassel, Wei Zhao, Joe Tang, Stephanie Huss, Kholisile Dhliwayo, Mike Moss, Richard Minckler, Kelly Knowles, Britni Wilkens, Stephen L. Additionally, the seating in the Helen DeVitt Jones Theater can be reconfigured to accommodate the hall’s vast range of programming.ĭesign Team: A.J. Both theaters achieve pure and crystalline sound on par with the world’s leading performance halls through extensive acoustic modeling and precisely placed acoustical banners which enhance the clarity, consistency, and constancy of tone in the halls. Inside, the building moves from spacious public lobbies to more liminal spaces leading to several intimate studios and finally, The Buddy Holly Hall’s two signature theatres which were designed, in collaboration with partners Jaffe Holden Acoustics and Schuler Shook Theatre Planners, to ensure premier acoustics and optimal theater capabilities no matter the type of performance or sound level.
#Buddy holly hall windows#
A long overhang, angled concrete fins and deep-set ribbon windows all act as architectural drapery to cool the building and filter light without obstructing the views of the wide vistas surrounding the hall.ĭissolving the threshold between indoors and outdoors, the hall’s use of glass at ground-level entrances creates an inviting and seamless transition for visitors entering and exiting the hall. Targeting LEED Silver, the building’s façades meticulously balance various approaches to creating shade to counter the South Plains Region of Texas’ extreme temperature fluctuations. As a teenager emerging from the Great Depression, Buddy Holly strummed his guitar in Lubbock, Texas to dreams of becoming.
The hall interior’s adaptive layout is tailored to its unique and wide-ranging performance line-up. The building’s modern exterior design draws from the prismatic and layered rock formations of Texas canyons.
The Buddy Holly Hall is a landmark destination that grew from the community’s needs, inspired by Lubbock’s physical and cultural landscape. Opening early 2021, The Buddy Holly Hall anchors Lubbock’s arts and culture district and features the grand 2,297-seat Helen DeVitt Jones Theater, the more intimate 415-person Crickets Theater, and other flexible spaces for rehearsal, events and performance, as well as a restaurant, two multi-purpose rooms and an outdoor tiered and covered amphitheater.
#Buddy holly hall professional#
Lubbock, the birthplace of the hall’s namesake, is now home to West Texas’ largest dedicated performance venue-bringing under one roof the city’s vibrant performing arts community including the Lubbock Symphony Orchestra and Ballet Lubbock, and the Lubbock Independent School District along with a variety of professional touring music and theater productions. Below is a video of a balloon pop used to record the reverberation time in the hall.The Buddy Holly Hall of Performing Arts and Sciences is a new state-of-the-art performance venue in Lubbock, Texas designed by Diamond Schmitt in association with Lubbock architects Parkhill and MWM Architects, built by Lee Lewis construction, and developed by Garfield Public/Private LLC on behalf of the Owner, the Lubbock Entertainment and Performing Arts Association (LEPAA). It was a reminder of the beauty and privilege of attending a live performance, something dearly missed since the start of the pandemic.Ĭarlos also performed instrumented measurements in the Main Theater as part of JH’s work to optimize the acoustics of the space. Quint’s virtuosity and energy were undeniable and the audience recognized him with a standing ovation. Sound in the parterre, where Carlos was fortunate enough to sit for the performance, had great warmth and envelopment while also being clear and articulate. The socially distanced orchestra played to the partially occupied Helen DeVitt Jones Main Theater as required to insure everyone’s safety. The program featured Vivaldi’s Four Seasons with guest soloist Philippe Quint and represents a culmination of seven years of planning, design, and construction. Carlos Rivera, Associate Principal at Jaffe Holden, recently attended the Lubbock Symphony Orchestra’s first Masterworks concert at the new Buddy Holly Hall of Performing Arts and Sciences in Lubbock, Texas.
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